The Banned Shelf
Margaret Havens sat in her dim kitchen, a single lamp casting shadows over the yellowed edges of The Bluest Eye. On her laptop screen, the school board meeting hummed through speakers she’d never calibrated well their voices tinny, the votes bracingly close to her own youth. Sixty-eight years old, and still, the weight of censorship felt like a rope around her throat.
She’d memorized the motion: “Resolution 22-14, to remove materials deemed inappropriate for minors, including titles promoting divisive ideologies.” The phrasing was new, but the fear was familiar. Back in 1968, when she’d shelved The Feminine Mystique beside the dictionaries and Slaughterhouse-Five beside the sonnets, she’d seen the same fire in the eyes of the board members. Then, they’d called it “moral decay.” Now, it was “discomfort.”
Margaret’s fingers traced the creased spine of the paperback she’d carried since college. A gift from her mentor, Mr. Ellery, who’d whispered, “This is how you hold a revolution,” before disappearing into the Vietnam draft.
The book’s margins were jagged, cut by her own hands decades ago, when the library had deemed its passages “obscene.” She’d hidden it in her coat, read it under the bleachers until the light bled out. It had taught her how to grieve, how to hope.
The livestream speaker clicked. “Next vote: Resolution 22-14. All in favor?”
Margaret stood, her knees protesting. The meeting wasn’t in person. But the board had left a comment box open, a placeholder for public input. Her cursor hovered over the chat. “Madame Chairman,” she typed, “I’d like to speak.”
The room froze.
The board members adjusted their headsets. A moderator appeared: “Ms. Havens, are you submitting a comment for the record?”
She opened her mouth and forgot every argument she’d rehearsed.
“I’m a retired librarian,” she said, her voice like old paper. “These books, they’re not just words. In 1967, I checked out The Outsiders to a boy who’d been suspended for fighting. Invisible Man to a girl who stopped coming to school after her brother was killed. You think banning Toni Morrison erases pain? It erases the cure for it.” Her hand lifted, trembling, the paperback glinting in the lamplight. “This book helped me survive. It’s all I have left of my mentor. Of myself.”
Silence. Then, a woman in the chat: “She’s right. My dad’s a veteran. He used to read Catch-22 out loud to my brother in the hospital.” Another: “I… I didn’t know books like this even existed.”
The chair’s face softened. “We welcome your testimony, Ms. Havens. Let’s take a ten-minute recess.”
Margaret never knew what they discussed. The meeting resumed, and the vote delayed. But the chat filled with stories, a teacher, a parent, a teen typing “Can I read The Bluest Eye?”, each message a spark.
When the gavel struck again, the motion was tabled. “We need more community dialogue,” the chair declared.
Margaret didn’t wait. The next morning, she mailed twenty paperbacks to students who’d written her, each with a note: “Keep the revolution alive.”
In the weeks that followed, the banned shelf became a monument. But Margaret didn’t stop there. She taught them to read between the lines, as Mr. Ellery had taught her. And in the quiet, she kept turning pages, one revolution at a time.
Here are a few more of my societal writings:






It’s heartwarming to see how Margaret’s testimony sparked a conversation and brought people together. Her passion for books and belief in their healing power have made a real difference in the community
“I’m a retired librarian,” she said, her voice like old paper.” I love this - so much communicated in just a few words. Clearly by a writer who takes the same pains as acclaimed Japanese author Yukio Mishima; who once explained that his approach to his use of language entailed (I paraphrase)’weighing each word with the precision of pharmaceutical scales’